Available:*
Material Type | Library | Call Number | Suggested Age | Status |
|---|---|---|---|---|
| Book | Searching... Cabell County Public Library | 741.5 COL | Adult | Searching... Unknown |
Bound With These Titles
On Order
Summary
Summary
Award-winning artist Richard Piers Raynner spent four years working on the artwork for Road to Perdition, a labor of love that has resulted in some of the most stunningly realistic drawings of 1930s Chicago ever seen on printed page.
Author Notes
Max Allen Collins was born in 1948 in Muscatine, Iowa. He is a two-time winner of the Private Eye Writer's of America's Shamus Award for his Nathaniel Heller historical thrillers "True Detective" and "Stolen Away". Collins also wrote the Dick Tracy comic strip begining in 1977 and ending in the early 1990s. He has contributed to a number of other comics, including Batman. Collins created his first independent feature film, Mommy, following a nightmarish experience as screenwriter on the cable movie The Expert.
Collins has been contracted by DC Comics to write three tie-ins to his critically acclaimed graphic novel "The Road to Perdition", which was adapted into the feature film. Author of other such move tie-in bestsellers as "In the Line of Fire" and "Air Force One", he is also the screenwriter/director of the cult favorite suspense films "Mommie" and "Mommie's Day".
(Publisher Provided)
Reviews (1)
Publisher's Weekly Review
Originally published as a single-volume graphic novel in 1998, this is the comics work upon which the Tom Hanks movie is based. It's the story of Michael O'Sullivan, a feared and religiously inclined mob hit man who's brutally betrayed-and the fierce vengeance he wreaks. It's 1930 and O'Sullivan works for the Looneys, an Irish mob family with a stranglehold on the politics and businesses of a small Midwestern city. Curious about his dad's mysterious "job," Michael Jr. stows away in his car to see what he does for a living. He inadvertently witnesses his father and one of the Looneys murder a crooked cop and his partners. Fearing what the kid saw, the Looneys set the O'Sullivans up to be killed. They murder O'Sullivan's wife and younger son, leaving him stunned but determined to have his revenge. The Looneys go into hiding, and O'Sullivan and son set out to find them, encountering the celebrities of gangland Chicago along the way. Collins writes a good gangster yarn based on historical personalities and full of crisp dialogue, violent action and brooding overtones of religious redemption. But O'Sullivan is essentially a superhero in a fedora, and his ability to kill an overwhelming number of adversaries with nary a scratch to show for it is a bit ridiculous. Though Rayner's b&w drawings can be static, they are precisely rendered with strikingly delineated faces. Like movie posters, his drawings capture the action with a combination of slick draftsmanship and the bleak and shadowy forms of cinematic noir. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
