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Material Type | Library | Call Number | Suggested Age | Status |
|---|---|---|---|---|
| Book | Searching... Salt Rock Public Library | HAN | Juvenile | Searching... Unknown |
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Summary
Summary
True: Delly Pattison likes surpresents (presents that are a surprise). The day the Boyds come to town, Delly's sure a special surpresent is on its way. But lately, everything that she thinks will be good and fun turns into trouble. She's never needed a surpresent more than now.
True: Brud Kinney wants to play basketball like nothing anybody's ever seen. When the Boyds arrive, though, Brud meets someone who plays like nothing he's ever seen.
True: Ferris Boyd isn't like anyone Delly or Brud have ever met. Ferris is a real mysturiosity (an extremely curious mystery).
True: Katherine Hannigan's first novel since her acclaimed Ida B is a compelling look at the ways friendships and truths are discovered.
It's all true ( . . . sort of).
Reviews (5)
School Library Journal Review
Gr 4-6-Are we defined by the labels others assign to us? Does friendship have the power to transform our lives? Hannigan tackles these questions and more in this story. Delly Pattison is strong on creativity, a dangerous thing since the idea of impulse control has never crossed her mind. Constantly being told how bad she is eventually makes for one angry kid, and when she is 11 and resorts to fistfights, she is on the verge of being sent to an alternative school. As she struggles to control her behavior, Delly begins to notice a new classmate. Ferris Boyd doesn't speak and can't be touched, yet the two bridge the gap. Trust and friendship follow, and are strong enough to handle crisis when it occurs. Told in carefully crafted language that begs to be read aloud, the story runs the gamut from laugh-out-loud funny to emotionally wrenching. Readers will likely be divided in their response to Delly's propensity for combining existing words into new ones; a present that's a surprise, for example, is a "surpresent." The same may be said of the touches of magical realism that occasionally advance the plot. Even those who quibble with bits and pieces will find meaty themes, a host of fleshed-out characters, and the same storyteller's ear that created Ida B. (Greenwillow, 2004).-Faith Brautigam, Gail Borden Public Library, Elgin, IL (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
A serious story about child abuse gets lost in Hannigan's (Ida B) overlong novel that too often crosses the line from quirky to twee. After a childhood clashing with her parents, school, and police for offenses ranging from self-harm to brownie theft, 11-year-old Delaware Pattison is one strike from being sent to some unspecified "away." The fifth of six children (all named after places), Delly, as she's known, needs more attention from her working parents. Instead she latches onto new girl Ferris, who has an androgynous appearance, does not speak, and cannot be touched. Despite these hurdles, Delly makes Ferris her project. Delly has an extensive vocabulary of made-up words like chizzle and hideawaysis (a three-page glossary is appended), which gives her a cartoonish quality that is an uneasy fit with the gravity of the underlying plot. Many questions are left unanswered: where is Ferris's mother? why do teachers accept that Ferris cannot talk or be touched without further inquiry? After a lengthy setup, the ending feels rushed, dulling the impact of its important message about speaking up when someone is in danger. Ages 8-12. (May) (c) Copyright PWxyz, LLC. All rights reserved.
Horn Book Review
Delly, short for Delaware, has been pegged as a troublemaker since she was seven, when she released the prize chickens at the county fair. Now eleven, she's constantly in trouble for her impulsive and pugnacious behavior, and she's on the verge of being transferred to a school for troubled kids. She makes a mighty attempt to control herself by constantly counting in her head, as her younger brother, RB, advises; but it's a mysterious new classmate, Ferris Boyd, who helps her see that asking for what she wants before acting helps keep trouble at bay. Skittish Ferris doesn't speak (her muteness is trauma-induced), and reaching out to her helps Delly learn to restrain herself as they slowly build a friendship that grows to include RB. Unfortunately, Hannigan hammers home Delly's unconventional personality by peppering her sentences with invented language -- including many "no cuss" terms like chizzle and bawlgrammit and combined words like horribadible and mysturiosity -- that wears thin almost immediately. As in her previous novel, Ida B (rev. 11/04), Hannigan's strengths are in a richly conveyed setting, with much of the novel taking place outdoors, and in her ability to depict a potentially unappealing main character as well as several secondary characters with tremendous compassion. Delly's profound change in her approach to the world is completely believable, and very touching. susan dove lempke (c) Copyright 2011. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Impetuous, mercurial Delaware Pattison, stuttering Brud and silent, lonely Ferris find an intertwined salvation.Delly, an impulsive middle child loved by her parents and tagalong young brother, meets life on her own terms and with such self-centered focus that she bends language to suit and reflect her. A ride home inOfficer Tibbetts' squad car is a "Dellylivery"; "What the glub?" Delly exclaims, citing her "nocussictionary"; she anticipates "surpresents" especially for her; Ferris' treehouse is a "hideawaysis." (An appended glossaryDellyictionaryoffers 40 of these portmanteaux). Brud longs to shoot baskets like Ferris, a girl so silent and thin that both he and Delly think she's a boy. Ferris fascinates Delly with her solitude and ability to connect with wild creatures and Brud with her miraculous basketball skills. Delly's teachers, though aware of Ferris' elective mutism and fear of being touched, don't question the girl's safety at home. But Delly notices scars on Ferris's back and gets a bad feeling about Ferris' normal-seeming father. There's a lot going on, and Delly's quirky language occasionally threatens to obscure the plot. Ferris is rescued, at least temporarily, but young readers may be left wondering whether adults are truly capable of protecting them.Plenty of action and dialogue carry this uneven story along.(Fiction. 9-12)]] Copyright Kirkus Reviews, used with permission.
Booklist Review
As she did in Ida B, (2004), Hannigan looks at a child people consider troublesome and examines the events and emotions that make her change. Here, that child is 11-year-old Delly Pattison, who ditches class, ferociously fights, and hacks up spitballs as weapons. Delly's about to be kicked out of school, but lifelines come from unexpected sources. One is an odd newcomer, Ferris Boyd. She doesn't speak and goes wild if touched, yet somehow the girls allow each other into their worlds, and, by doing so, make those worlds kinder and better places to be. With her unique way of speaking (a Dellyictionary is appended) and her honest emotions, Delly can be quite touching. It's the story that falls apart at the end when, in hurried fashion, Ferris is revealed to be abused by her father. Was this really such a mysturiosity ? Even in Delly's one-horse town, teachers and social workers must be aware that silent, untouchable kids have problems. Logic disappears so Delly can be a heroine. Perhaps readers will be so taken with the intriguing characters they won't mind.--Cooper, Ilene Copyright 2010 Booklist
